IPCAA University of Michigan  
Interdepartmental Program in Classical Art and Archaeology
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IPCAA History

The study of the material culture of the Classical lands reaches back to the very beginnings of the University of Michigan. When its Ann Arbor campus opened in 1841, the faculty included just two professors (one in Greek and Latin Languages, the other in Mathematics), and the earliest freshman curriculum included courses in Greek and Roman antiquities. Classical Studies at Michigan has in fact always been understood, and taught, as an entirety, embracing not only Classical languages, literature, and culture, but material culture too: archaeology, art history, numismatics, epigraphy, papyrology, etc. Of great importance in this respect was Francis Kelsey (Professor of Latin, 1889-1927), whose tireless acquisition of antiquities provided the core of the University’s extraordinary papyrological and archaeological holdings: the museum building in which IPCAA now has its home appropriately bears his name.

Interdisciplinary programs or “graduate groups” are now quite common, but IPCAA (along with its peer program at the University of California at Berkeley) was perhaps one of the earliest to be created in Classical Art and Archaeology, in 1968-69. The 1960s were a period of substantial expansion in higher education, and the national educational structure at that time seemed to need more well-trained Ph.D.s in Classical Archaeology. Michigan was already offering a significant number of courses in Greek and Roman archaeology, and the Kelsey Museum provided an outstanding, but under-utilized, resource for hands-on learning; on the other hand, the existing doctoral programs in the Departments of Classical Studies and of The History of Art were not very well suited for those whose primary interests lay in art and archaeology. This was the rationale for the establishment of a new interdepartmental “Program in Classical Archaeology”, formally approved by the Graduate School on 4 March 1969.

The Program did not run very smoothly during its first 2 or 3 years of operation, leading to some reorganization and changes of emphasis in the early 1970s — in particular, greater involvement of faculty in anthropological archaeology and Near Eastern Studies, more intensive use of the Kelsey Museum and its collections (under the Directorship of John Pedley), and the identification of Roman archaeology as a particular specialization at Michigan. The latter decision was made a reality through two new appointments in 1974: Elaine Gazda (in Roman art) and John Humphrey (in Roman architecture and archaeology). To some extent, this move built on existing strength, given the presence at Michigan of a leading expert in Roman numismatics (Ted Buttrey) and a major player in Roman epigraphy and social history (John D’Arms). The new Near Eastern element in the Program’s identity was reinforced, shortly thereafter, by a joint appointment in History of Art and the Kelsey for Margaret Cool Root, while Sharon Herbert’s arrival at about this time added strength to art and archaeology teaching on the Greek side. Additional later expansion included the appointments in 1989 of Thelma Thomas (Late Antique, Early Christian, and Byzantine) and David Mattingly, and in 1992 of his replacement, Sue Alcock (both in Roman and landscape archaeology); and in 1993 John Humphrey’s resignation (to devote himself full-time to editing the Journal of Roman Archaeology) made possible John Cherry’s appointment, thus expanding the range of IPCAA’s faculty to include Mediterranean prehistory. Following the retirement in 2001 of John Pedley (one of the five members of the original IPCAA Executive Committee established in 1969), Lisa Nevett, whose interests lie in Greek archaeology, was appointed to a position held jointly in Classical Studies and The History of Art. IPCAA’s “core” faculty are thus now split evenly between its two sponsoring departments.

Many developments throughout the 1980s and 1990s have brought the Program to its current position of strength. A basement-to-attic rebuild of the Kelsey Museum resulted not only in greatly improved collections storage, but in much-expanded space and facilities for IPCAA students to call their own (especially the Hosmer Laboratory in the basement area); a further major expansion of available exhibition space , to take place over the next several years, is currently in the early stages of planning. The Michigan tradition of fieldwork has continued unabated, with major programs of Kelsey-sponsored activity at Carthage and Leptiminus in Tunisia, Coptos and Abydos in Egypt, Tel Anafa and Kedesh in Israel, Pylos in Greece, Paestum in Italy, and Vorotan in Armenia. New funds have been located to provide improved financial assistance to IPCAA students participating in such projects. Extra Fellowship funds have been made available (in 1969 the program was supported with a single Fellowship of $2,000!). Major curricular reforms have taken place in recent years, to keep the Program fresh and up-to-date. And additional top-notch faculty have been recruited in all of IPCAA’s supporting and cognate departments — to name just one example, Near Eastern Studies has seen appointments, within the past decade or so, to new positions in Dynastic Egyptology, Roman and Coptic Egyptology, Mesopotamian History and Archaeology, Hittite and Mesopotamian Studies, and Ancient West Asian Cultures. The Department of Classical Studies has for a number of years appointed a Visiting Assistant Professor in Classical Archaeology.

Now close to its 40th year, IPCAA has built a well-deserved reputation for the excellence of its students, faculty, and resources, as well as for the distinctive interdepartmental training in Classical Art & Archaeology that it provides — encouraging imaginative approaches, interdisciplinary perspectives, and the exploration of new areas, while not neglecting the fundamental skills and core areas of knowledge that are the sine qua non for success in finding professional positions.


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