Scholarly interests
include 19th- and 20th- century art, particularly modernist painting
in France after 1848, with a special focus on avant-garde and
bohemian culture in fin-de-siecle Paris and the production of
"popular" mythologies in and around Montmartre's notorious
entertainment industry. Publications include the forthcoming
"Reflecs d'un Gnaiff: Images of Insurrection in Emile Pouget's
Le Pere Peinard," and a forthcoming book on montmartrois
art and popular culture in the 1880s and 1890s.
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