Associate
Professor of Modern and Contemporary Art, Department of the History
of Art and the Residential College. Scholarly interests include
aesthetic theory, methodologies of interpretation, 20th-century
art, and popular culture, with special focus on the art and culture
of Germany and the United States. Publications include "Allegorical
Modernism: Carl Einstein on Otto Dix" (2000), "Anselm Kiefer and
the Philosophy of Martin Heidegger" (1998; paperback edition:
2000), "The New Man as Cyborg: Figures of Technology in Weimar
Visual Culture" (1994), and "Art Criticism and Deconstruction:
Rosalind Krauss and Jacques Derrida" (1990). Professor Biro's
current research is on the figure of the cyborg in dada art.
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