The Hip Hop Paradigm: Mapping
and Transcending its Boundaries
Conference Schedule for Saturday,
March 24
9:00-10:00am
Breakfast, Registration
Location: Rackham Assembly Hall
PAPER SESSION 1: 10:00-11:45am
PANEL 1: From Margin to Center: Empowering the Political Re-articulation
of Identity
Location: Rackham Amphitheatre
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Bring the Noise: Rap Music and Social Action Through 1990
– Clifton Watson (North Carolina Central University)
-
Sessions From the Big Smoke: Rap. Race and Class in London
– Raymond Codrington (The Field Museum)
-
Serious Stress: Independent Hip-Hop Cooperatives and the
Importance of Local Understanding in Detroit – Ryan Snyder (U of M)
-
East Meets West: Lyricism and Social Change in Haikai and
Hip-Hop - Dawn Banks (University of Florida)
PANEL 2: Hip-Hop Methodology: Understanding the Issues in the
Hip-Hop Community
Location: Rackham East Conference Room
-
Hip-Hop Music and the AIDS Epidemic: Outcomes of Urban Decay
in the South Bronx During the 1970’s – Azure Thompson
-
Hip-Hop As An Educational Tool for Preventing HIV/AIDS in
African-American Girls – Carla Stokes (University of Michigan)
-
The Blood that Bleeds (not a M*thaf*ckin Gang!): (Urban)
Histories that Hurt (For Real, Y’all) – Khary Jones (Columbia University)
-
(Re)Figuring the Soldier in the Black South: Geto Boys, TRU
and Figurative Language – Carol Bunch (U of Southern California)
PANEL 3: Communicating Hip-Hop: Writers, Griots and the Evolution
of the Word
Location: Rackham West Conference Room
-
Every Ghetto, Every City: The Locations of Contemporary Poetry
– Susannah Bartlow (ARTREACH, Inc.)
-
Graffiti Is Graffiti Ain’t: Writing the Diversity of Writing
– Greg Snyder (New School for Social Research)
-
Emceeing: The Continuation of an African Oral Tradition –
Jon Yasin (Bergen Community College)
-
The United States of Hip-Hop?: The Problem of Writing in
the Hip-Hop Paradigm – Joe Austin (Bowling Green State University)
PAPER SESSION 2: 12:00-1:45pm
PANEL 4: Hip-Hop Theology: The Appropriation of the Sacred
Location: Rackham East Conference Room
-
Ganjah, Girls and Guns Equal God: Hip-Hop Music’s Challenges
to American Cultural Tradition – Akil Mensah (American Univ.)
-
Muezzis in America: “Bilalian” Rappers and Their Islamic
Call – Zaheer Ali (Columbia University)
-
Crucifixions in the Street: Life Death and Resurrection in
Hip-Hop – Ewuare Osayande (Talking Drum Communications)
PANEL 5: The Boundaries I: Redefining the Meaning and History
of Hip-Hop
Location: Rackham West Conference Room
-
Toward a Philosophy of Hip-Hop History: Utopia, Myth, the
Old School – Andrew Knighton (University of Minnesota)
-
Fashioning the Hip-Hop Intellectual – Susan Hubert (Frederick
Douglass Papers)
-
After the Noise: The Political Horizon of ‘Mature’ Hip-Hop
Music – Charles Gentry (University of Michigan)
PANEL 6: Hip-Hop Pedagogy: Revolutionizing the Way We Teach
Location: Rackham Amphitheatre
-
Popular Culture is “High”: Hip-Hop in the English Classroom
– Gail Upchurch (Olive-Harvey College)
-
Lessons in Geographunk – Wade Colwell (FunkaMentals)
-
Droppin’ School - Lynette Thoman (York University)
-
Hip-Hop in the Academy – Daniel Roumain (Harlem School of
the Arts)
PAPER SESSION 3: 3:00-4:45pm
PANEL 7: Cross-Cultural Fertilization: Hip-Hop and the Politics of
National Identity
Location: Rackham East Conference Room
-
Gifted Flows: Hip-Hop Transnationality and the Samoan Diaspora
– April Henderson (University of California, Santa Cruz)
-
Performance and Performativity in Global Hip-Hop: Hawaii
as Case Study – Halifu Osumare (Bowling Green State University)
-
Rhymes, Roots and Reason: Lyrical Expressions of Desi Difference
– Nitasha Sharma (University of California, Santa Barbara)
-
Africa on Their Mind: Rap Music and the Redefinition of Blackness
in France – Véronique Hélénon
PANEL 8: The Boundaries II: Redefining the Meaning and History
of Hip-Hop
Location: Rackham Amphitheatre
-
Stripped to the Bone and Phat Like That: An Ontological Analysis
of Hip-Hop Culture and an Extensive but Less than Exhaustive Description
of Possibilities – Purnnita Kotecha (University of Toronto)
-
The Hip-Hop Worldview – Tshmobe Walker (City University of
New York)
-
Manifest: Thinking Hip-Hop, Connecting Text – R. Scott Heath
(University of Michigan)
PANEL 9: Sound, Space and Study: Re-thinking Approaches to Hip-Hop
Construction
Location: Rackham West Conference Room
-
Looping the Break: The Hip-Hop Track in Cortazar’s “The Southern
Thruway” – Gaurav Jashnani (University of Michigan)
-
(W)Rapped Space: The Architecture of Hip-Hop – Craig Wilkins
(University of Minnesota)
-
Situating Hip Hop Sound: Towards An Analysis of Rap’s Music
- Wayne Marshall (University of Wisconsin, Madison)
-
Hip-Hopkins: How Rhythm gets Sprung from A to Z – Meredith
Martin (University of Michigan)
PAPER SESSION 4: 5:00-6:45pm
Location: Rackham East Conference Room
PANEL 10: The Almighty Dollar: Hip-Hop Production and it’s Engagement
with Capitalism
Location: Rackham East Conference Room
-
Rap Music and Hip-Hop Culture’s Radical Definition of “The
Political”: Commerce and Consumption as Deviance
and Resistance – Chris Deis (University of Chicago)
-
Hip-Hop and Hoopla: Rap Videos as New Urban Theatre – Ian
Riley (University of Michigan)
-
Underground vs. Commercial: Is There a Difference? – Johnny
Mann
PANEL 11: Black Feminist Politics: Rapping on Gender and Debunking
the Myth of Patriarchal Hip-Hop
Location: Rackham West Conference Room
-
Antiphony in the Black Atlantic: Black Women Rap on Nation
– Leanna McLennan
-
You Heard My Gun Cock': Female Agency and Aggression in Contemporary
Rap Music - Donna Troka (Emory University)
-
Independent Woman: Underground Female Hip-Hop Artists and
the Struggle to be Heard - Jennifer McBride (U of Cincinnati)
PANEL 12: Real Hip-Hop: Race and Authenticity
Location: Rackham Amphitheatre
-
Stakes is High: Race, Difference and Power in Popular Culture
- Kenneth MacLeish (Bard College)
-
Gangsta Rap: A Nineties Incarnation of Minstrelsy – Chauncey
Spears (University of Missouri, Columbia)
-
I Am I Be: Race, Ethnicity and the Construction of Authenticity
in Hip-Hop – Jeffrey Ogbar (University of Connecticut)
-
The Impact of Rap Music on Racial Attitudes – Mischa Thompson
and Khari Brown (University of Michigan)
7:00-8:30pm Keynote
Address by Dr. Tricia
Rose, Department of History, New York University
Location: Rackham Amphitheatre
8:30-9:30pm Keynote
Reception and Closing Remarks
Location: Rackham Assembly Hall
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