|
winter 2006 Schedule Professor Willliam Malm will give a lecture demonstration comparing the logic of noh drama taiko drum music with that of Western music. January 19 Please see his "The Parody Times" website at http://www.parody-times.com.
Middle class Japanese women often depict their social role in life and their identity as “professional housewives” (sengyō shufu), a term encompassing the total devotion of a woman to the care of children and the household. In my presentation I will offer an alternative view to the growing literature which emphasizes the changes in female or gender roles as related to current trends including women postponing marriage, Japanese men increasingly becoming undesirable husbands, the declining fertility rate and so forth. Based on an anthropological research I have been conducting since 2003, I will argue that while we cannot ignore the significance of these trends, it may be too early to declare the professional housewife as a "dying breed." Ofra Goldstein-Gidoni is the 2005-06 Toyota Visiting Professor at the Center for Japanese Studies. She is an anthropologist and teaches at the departments of East Asian studies and Sociology and Anthropology at Tel Aviv University. Her main research interests are related to gender, globalization, and contemporary Japanese society. February 9 In early 1860 Japan was only a few months into the new world of international trade. Yokohama had recently opened for business, and the Bakufu had just dispatched a large mission to the United States. Suddenly in the midst of a spring snow squall the prime minister and Shogun’s regent, Ii Naosuke, was cut down by a squad of assassins while on his way to work at Edo Castle. Foreign as well as domestic observers were left in shock, and Japan descended into an era of disorder occasioned by its entry into the global market network. The prime minister’s assassination in the heart of the Shogun’s capital did not result from opposition on his part to international trade, for he had pushed the trade treaties through, knowing that the Western nations left him little choice. Rather, it was feudal rivals who murdered Ii Naosuke. But his death removed a powerful voice for political stability and launched Japan on a decade of terror, directed against Japanese targets as well as foreigners. It appears that a covert commercial motive may also have factored into Ii’s demise, as merchants jockeyed for position to profit from Japan’s new overseas trade. Even the Meiji Restoration did not spell an end to the disorder. The Meiji institutions put in place after 1868 were imposed with rigor to reduce and shut off the incidence of terror, whose influence on the outcome of late Tokugawa history cannot be overestimated. The return of terrorism to Japanese affairs in the early decades of the 20th century signaled a shift from internationalism to a more aggressive policy that led to Japan’s war in China and World War II in the Pacific.
In the summer of 2006, construction will begin on a new wing for the University of Michigan Museum of Art. Four galleries in the new wing are designated for Asian art, which will both increase the physical space for display and create an opportunity to completely redesign and rethink the presentation of Asian visual and material culture. The Asian collection has always been one of the treasures of UMMA, with famous strengths in Chinese and Japanese painting and ceramics; in the past five years, Asian holdings have grown by 20%, adding breadth in new areas, such as Korean ceramics, South Asian religious sculpture, textiles, and Japanese prints. Dr. Graybill will show a video virtual walk-through of the renovated and expanded Museum and discuss evolving ideas for the new Asian galleries. Cultural anthropologist, Ian Condry, offers a multimedia presentation drawn from his forthcoming book Hip-Hop Japan (Dukie University Press, estimated 08/06). Based on fieldwork in Tokyo's nightclubs and recording studios, Condry provides an ethnographic portrait of rappers who tackle issues of racism, sexism, educational problems, and a stumbling economy. This talk will focus on rappers' engagement with the Japanese language and with America's post-9/11 militarism. By situating the voices of today's artists in nightclubs, what musicians call the genba (actual site) of the scene, Condry argues that globalization is best conceived not as "cultural flows" but as a series of performative events unfolding over time. Ian Condry is assistant professor of Japanese cultural studies at the Massachusetts Institute of Technology where he has been teaching in Foreign Languages and Literatures since 2002. His research interests include hip-hop, anime, and peer-to-peer file sharing. Reprints and multimedia teaching materials are available through his website at http://iancondry.com. March 23 ARUDOU Debito (BA Cornell, 1987; MPIA UC San Diego, 1991) is a naturalized Japanese citizen and Associate Professor at Hokkaido Information University. A human rights activist, he has authored two books, Japaniizu Onrii--Otaru Onsen Nyuuyoku Kyohi Mondai to Jinshu Sabetsu and its English version (Akashi Shoten 2003 and 2004). He also puts out a regular newsletter and columns for The Japan Times. His extensive bilingual website on human rights issues and living in Japan is available at http://www.debito.org. In the warrior-class culture of seventeenth-century Japan, domain-sponsored ceramic production offered a means of expanding domainal income as well as a source of distinctive gifts "branded" with the domain identity. In 1678-79, the potter Morita Kyuemon, who operated the Odo pottery within the Tosa domain, was sent on a study trip to improve his knowledge of current ceramic styles in Kyoto and Edo. Drawing on Kyuemon's diary recording his experiences, this talk will discuss how the project was carried out through a series of pottery-making demonstrations conducted for high-ranking officials of the Tokugawa government. Louise Allison Cort is Curator for Ceramics at the Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution, Washington, D.C. Her research interests encompass historical and contemporary ceramic production of Japan and mainland Southeast Asia. She organized the 2003 Sackler Gallery exhibition Isamu Noguchi and Modern Japanese Ceramics and the associated book, co-authored with Bert Winther-Tamaki (Sackler Gallery and University of California Press). She is preparing an exhibition about ceramics in Mainland Southeast Asia for the Sackler Gallery in 2007.
|
||||||||||||||||||||||
| ˆTop | |||||||||||||||||||||||
UM Gateway
| LSA
Home | Rackham
Home | International
Institute | Asia
Library |
|||||||||||||||||||||||