International Conference on Southeast Asian Studies
Issues and Trends in Southeast Asian Studies

The Center for Southeast Asian Studies celebrated its 50th Anniversary in October 2010 with a major international conference on October 22 and a reunion on October 23. In addition to being attended by over 70 scholars and community members, the conference was webcast live and many watched and participated via the Internet.  The conference was recorded and soon will be available in our online archive of events.  We thank the Luce Foundation for their support of the conference and the participating scholars for their thought-provoking papers and the productive discussions they started, but certainly didn’t conclude. We welcome your thoughts on how we may help keep the conversation going.    


The conference brought together an interdisciplinary group of rising scholars from Southeast Asia and North America to discuss key developments emerging in the field. Organized into four panels, the conference started with presentations on music and performing arts with papers by Meilu Ho, Bussakorn Binson, Jose Buenconsejo, and Sarah Weiss.  Their papers showed the contextualization and recontextualization of musical traditions and performances in contemporary Southeast Asia and how performances can be variously understood as authentic or inauthentic, tradition or parody.


The second panel addressed questions in the realm of media and anthropology tied specifically to space.  Deirdre de la Cruz, Rusaslina Idrus, and Christian Lentz presented papers which unsettled concepts like “aboriginal” and “global” from their perceived parallels of “colonial” and “local” and present new ways of conceiving the spatial constructs of Southeast Asia.


The third panel raised issues of cultural, wealth, and power in various configuration. Frederick Wherry, Melani Budianta, Andrew Causey, and Ara Wilson collectively asked: what constitutes wealth and power in different settings, how is culture performed and/or dismantled, and how does global wealth play into particular market settings?  


The final panel addresses law, politics and public policy revolving around the existence and actions, or non-actions, as some papers showed, of the organization of Asian states, ASEAN.  John Ciorciari, Katherine Marie Hernandez, Erik Kuhonta, and Tuong Vu discussed how ASEAN saw its role and how various publics of Southeast Asia looked to ASEAN to fill particular geo-political roles in the region.


See below for the full text of papers presented.

 

Conference Panels- click on each panel for more information

Music and the Performing Arts- "Performing Tradition and Hybridity in Southeast Asia"
From traditional music to art music to film music, meanings generated through composition and in performance speak to localized senses of self and to histories of acculturation and change. Our panelists explore a diversity of musical and related expressions in Southeast Asia and represent the variety of theoretical approaches of contemporary scholars in the arts.

Co-chairs: Christi-Anne Castro and Meilu Ho
The panel will be moderated by Christi-Anne Castro (Associate Professor of Ethnomusicology, University of Michigan)
Meilu Ho- Assistant Professor of Ethnomusicology, University of Michigan

Beyond a Loud Voice: Softly Transcending Nationalisms with Classical Malay Songs

These days in Malaysia, ideological intention determines the staging of the arts. Culture performed is a primary arena within which communities loudly declaim, include, and exclude. No longer are the arts products of beauty; rather, they are inspired by defensive, politically motivated attitudes. Instead of enabling a positive, aesthetic experience, they are off-putting. Worst of all, the exhibitions only deepen the communal divide. While pop songs of all ethnicities have a market and audience, their consumption is ghetto-ized, not least due to the language barrier. With the implementation of the Malay language national policy since 1970, we now have a fully literate, active consumer public. Given this and more, I will argue that the Malay classics of old that is, the Asli ("original"), film, and Ghazal song genres, provide a palatable, relaxed, and beautiful alternative to the insistent, ugly shoving of ethnic shoulders. Whilst carrying the sounds of tradition, they are also acceptably hybrid and thus are not threatening to any group. Performed with ease, collectively, the songs evoke memories of a past, lighter existence for many across the ethnic spectrum. They should occupy a melodious line in the national educational policy, and be taught and performed in schools and widely broadcast in all the media. Through a combination of humor, grace, and charm, the shared enjoyment of soft music may bring about a congenial unity that transcends the imperatives of communal-based nationalisms.

Bussakorn Binson- Associate Professor, Chulalongkorn University

Performing Tradition and Hybridity in Thailand

A hybrid is the combination of two or more different things aimed at achieving a particular objective or goal. In Thailand hybrid music is used as a tool to increase interest in its traditional music among younger audiences. An excellent example of this trend is typified by the band Ponglang Sa-On. This group incorporates a fusion of Isan folk instruments from northeastern Thailand with those from the West. This group is based on a traditional Ponglang ensemble, in which the main instruments consist of at least one Phin (a Thai styled lute), the Ponglang (a vertical xylophone), a Wot (a round, multi-tube mouth organ, which is rotated at the mouth to change notes), one or more Kheans (long, multi-pipe mouth organs with a center fingering, sound gourd), and one or more Glongs (a pair of tall drums). This band uses a blend of traditional musical instruments and lutes modified with electronic pickups, western electric guitars as well as synthesizers to assist in making the band's sound attractive to the ears of modern youth. They also have replaced the Thai Glongs or tall drums with a western style drum kit. Their style of dance ranges from pure traditional Northeastern Thai choreography to some selections heavily modernized with contemporary movements from the west. Additionally, in typical Thai comedic stand-up style, they blend the traditional with the modern in a humorous routine utilizing this east-west comparison in their commentary byline. With their wide production repertoire from Thai folk songs to current Thai and Western pop the Ponglang Sa-On ensemble is currently the most popular Isan band throughout Thailand.  This paper details and discusses the transformation of Thai traditional music and dance on its path into modern Thai society as typified by the Ponglang Sa-On ensemble.

Jose Buenconsejo- Associate Professor of Musicology, College of Music, University of the Philippines Diliman

Parodies of traditional comedia and Hollywoodish spectacle in Francisco Buencamino Sr.'s film music "Ibong Adarna" (1941)

The inscription of the traditional, epic-like, 19th-century Philippine narrative “Ibong Adarna” in corrido style (monorhyming, octosyllabic quatrain) into the American film medium in 1941 (LVN Pictures, Inc., directed by Vicente Salumbides with Manuel Conde) manifests necessary hybridity where Spanish, American, and local Filipino expressions are mixed. An investigation of the music of this film by Francisco Buencamino, Sr. and his son Francisco Buencamino, Jr. reveals diverse forms of musical parodies akin to both the conventions of traditional Philippine theater comedia, which is corrido’s “cousin,” and of Hollywoodish spectacle. This paper presents the nature of these musical parodies in the film, particularly interpreting the “narrative agency” of newly-composed diegetic musics in two focal scenes: 1) Spanish coloratura song (qua the voice of the mythical bird) and 2) American dance music (qua dance of negritos in the final wedding scene). In these scenes, Buencamino parodies Spanish song and American dance music as genres (i.e., imitating genres’ styles), marking the musical score with a difference that, I posit, affords the highlighting of messages of the scenes that revolve around a clear local ideology of presence (devotion and remembering, pleasure and pain, and the recognition of interpersonal relation and its forgetfulness, thus punishment).

Sarah Weiss- Associate Professor, Yale University Department of Music

Malleable Authenticity and Hybrid Cultural Productions: Negotiating Expectation and Innovation in Indonesia

In this paper I problematize some of the ways in which aesthetic preferences intersect with listeners’ perspectives on borders, boundary crossings and constructions of authenticity in performance. Starting with the results from ethnographic work on aesthetics that I have been performing with audiences for five years, I engage the work of Brian Stross and Nestor Garcia Canclini in a discussion of the reception of hybrid cultural productions. Acknowledging the human response to categorize and employ exclusive boundaries, particularly when receiving hybrids, I suggest that it is futile to ignore this impulse and better to rehabilitate it, or, as in the case of Indonesian performing ensembles Krakatau and Çudamani, to use it to one’s own advantage. Employing examples from these two ensembles, I will explore the ways in which they embed constructions of ‘traditional’ness in their productions, simultaneously fulfilling their audiences’ desire for ‘authenticity’ and their own desires to innovate.


History and Anthropology - “Unsettling Territories in Southeast Asia”
This panel will explore ways in which Southeast Asian scholars and critics are re-thinking and re-encountering Southeast Asia in ways that challenge paradigms of the past.

Moderator: Nancy Florida, Professor of Indonesian Language and Literature
The panel will be moderated by Nancy Florida
Chair: Deirdre de la Cruz- Assistant Professor of History and Asian Languages & Cultures, University of Michigan

Where in the World is the Global Philippines?

The phrases “global Filipino,” “global Pinoy” (slang for Filipino), and the slightly more confounding “global Philippines” circulate widely in the Philippine mass media, thanks in no small part to the burgeoning of industries and services catering to the millions of Filipinos working and living abroad.  Drawing from fieldwork in the Philippines and elsewhere, this paper explores the purchase of an articulation like the “global Philippines” for rethinking such defining features and paradigms of Southeast Asian Studies as geographical boundedness, “localization,” etc. 

Orlando de Guzman- Independent filmmaker based in Thailand

Global Wars, Local Warlords; America’s War on Terror and Private Armies in the Southern Philippines

The Philippines’ strategic importance was diminished after the end of the Cold War, culminating in the exodus of U.S. troops from permanent U.S. military bases on Luzon in 1991. After the 9/11 attacks, renewed interest in terrorism brought American special operations troops back in an 'advisory' role.   Their main focus has been the islands of Basilan and Jolo in the Sulu Archipelago—a region characterized by rebellion, an entrenched military institution, high levels of criminal activity as well as violent political confrontations between elite clan leaders.  This paper looks at inter-clan dynamics in Jolo, and more broadly in the Autonomous Region of Muslim Mindanao (ARMM), and how elite clan leaders have legitimized their monopoly on violence through the appropriation of the local security apparatus.  By allying themselves behind America's agenda of “anti-terrorism” and USAID-sponsored civic aid programs, local leaders have consolidated their political power at the expense of their rivals.  I examine why, despite the signing of a peace agreement with Muslim rebels and military victories against home-grown terrorist groups such as the Abu Sayyaf, armed violence continues unabated.

Rusaslina Idrus- Visiting Fellow, Institute of Southeast Asian Studies (Singapore)

The Original People and the Native State:  Historicizing Contemporary Indigenous Rights Claims in Malaysia

Much of the indigenous movement literature, drawing on case studies from the Americas and Australia, analyze indigenous movements within a native-settler framework where the state traces its roots to the colonizers. However, this does not accurately describe the situation in Malaysia, and many countries in Southeast Asia, where the postcolonial state is derived from the colonized and is ideologically set up as the guardian of native rights. Indigenous movements in this region, too, struggle to fit within an international discourse and definition of indigenous mostly shaped by the experiences of indigenous activism in the Americas and Australia. In this paper, I examine the specificity of indigenous rights claims in Malaysia where the Orang Asli, the aboriginal people, are a marginalized minority, while the Malays who are the ruling majority also claim to be indigenous. I consider how the Orang Asli can claim indigenous rights when the state also claims to be native. I explore the historical contingencies that continue to shape contemporary rights struggles in this region.

Christian Lentz- Visiting Scholar, Department of Sociology, Duke University

Militarizing Space: Locating Dien Bien Phu in Vietnam, Southeast Asia, or Elsewhere

Shortly after 1954 when Dien Bien Phu appeared on the world stage, C. Wright Mills critiqued a “military definition of reality,” or the everyday absorption of categories and ideas inspired by organized violence. By examining how to locate Dien Bien Phu geographically, I argue that Vietnam is as much a militarized spatial construct as Southeast Asia—if not even more so. Alternatively, one can locate the montane site and its peoples in the eastern Himalayan massif, or “Zomia.” Using this heuristic device to unsettle Dien Bien Phu’s location, I resituate the place in terms closer to local language and geography.


Cultural Studies, Sociology and Development: “Culture and Power in the Southeast Asian Marketplace”
The panel will bring together different perspectives on how culture and power work in various the market settings of Southeast Asia. It will include perspectives on how markets may provide new opportunities for economic development and how they may exacerbate existing vulnerabilities among artisans and workers in the region.

Moderator: Webb Keane- Professor of Anthropology, University of Michigan
The panel will be moderated by Webb Keane (Professor of Anthropology, University of Michigan)
Chair: Frederick Wherry- Associate Professor of Sociology, University of Michigan

Performing the Cultural Wealth of Nations

Four questions motivate my presentation: 1) What do the works of Adam Smith, Pierre Bourdieu, Jeffrey Alexander, and Erving Goffman suggest about cultural wealth as a source of comparative advantage for nations or regions? 2) How is cultural wealth distributed globally and what accounts for inequalities in cultural endowments from one country or region to the next? 3) What accounts for its activation, its deactivation, and its transformation? And 4) what can we learn from Thailand’s cultural industries and from the cultural politics of its nation-state? This presentation will draw on the contributions made to The Cultural Wealth of Nations, a volume co-edited with Nina Bandelj. The volume is under review at Stanford University Press and supported by the Fund for the Advancement of the Disciplines, that is itself co-sponsored by the American Sociological Association and the National Science Foundation.

Melani Budianta- University of Indonesia

Culture, Leisure and Identity in Changing Times: Indonesian Chinese as Keepers of Traditional Performing Arts

This paper will discuss the intricate relations between culture and identity in a web of larger power structures of politics and the market by looking at the ways the Indonesian Chinese minority attach themselves to a local performing arts tradition.  I will examine as my study case the Wayang Orang amateur club called Ang Hien Hoo in Malang, East Java, which was popular in the 1950s and 1960s, and their struggle to survive in the present times.   In this paper I see this amateur club as a site, not only for cultural assimilation, but also as a meeting space for the diverse migrant Chinese population residing at a host country. The space is also used to negotiate their position as citizens responsible to promote local traditional performing arts.   The paper will examine how this amateur club was swept by the Cold War politics and national political turmoil of 1965, and how it fought to survive in the pressures of the global capitalist era.

Andrew Causey- Associate Professor of Anthropology, Columbia College Chicago

Getting a Bargain? Some Lessons from a Toba Batak Marketplace

Some have suggested that an unregulated marketplace will adjust itself through the forces of a powerful leveling system, namely, supply and demand. Recent evidence from the current global economic downturn seems to indicate otherwise, forcing us to question whether there ever has been, or can be, a truly unfettered marketplace. Leaving the macroeconomic questions for the experts in that field, this paper will present ethnographic information about one exchange venue during a brief moment in time: the marketplace of touristic souvenirs on Samosir Island, Lake Toba, North Sumatra, Indonesia, circa 1995. I hope to show that this single example from Southeast Asia can help illuminate the unpredictable nature of globalizing marketplaces that resist formal economic modeling and confound the expectations and assumptions of both the "demanders" and the "suppliers."

Ara Wilson- Associate Professor of Women's Studies, Duke University

The Intimate Economies of Bangkok

Countering modernization theory's expectation that capitalist development diminishes religion, in Thailand, it has intensified, but transformed, spiritual practice. This paper considers the prevalence of market shrines that propitiate sacralized figures from history, or from Hindu, folk, and Buddhist traditions. It considers how “prosperity religion” has decentered religious orthodoxy in the context of rapid boom and bust and explores how spiritual and market economies intersect in Bangkok's landscape.


Law, Politics and Public Policy: “Regionalism and Liberalism in Southeast Asia.”
This panel of speakers will analyze how scholarly discourse and political practice have evolved in relation to regionalism and the promotion of liberal norms in Southeast Asia.  Scholars of law, politics, and public policy have all focused on the important question of what “regionalism” means in Southeast Asia and how the regional project centered around ASEAN may contribute to—or impede—the promotion of liberal norms of democracy and human rights.

Chair: John Ciorciari- Assistant Professor, Gerald R. Ford School of Public Policy, University of Michigan

Institutionalizing Human Rights in Southeast Asia

Promoting an ambitious form of political "regionalism" in Southeast Asia implies moving beyond shared tactical interests toward a greater sense of shared norms and identities. This has been difficult in a region that includes such diverse states and populations. Human rights lie at the crux of the challenge. For many years, members of the Association of Southeast Asian Nations (ASEAN) have struggled over the meaning and relative importance of human rights. "Negative rights" related to political dissent and freedom of expression have been particularly contentious. Under considerable external pressure, ASEAN included prominent references to fundamental political freedoms in its 2007 Charter and subsequently established an ASEAN Inter-Governmental Human Rights Commission (AICHR). In some respects, AICHR signifies an important step toward a more liberal formulation of Southeast Asian regional identity. However, the commission also reflects powerful counter-currents and embodies an effort to control and defuse pressure to strengthen human rights regimes. This paper will examine AICHR's political and institutional features, analyze its activities to date, and assess its prospects.

Katherine Marie Hernandez, University of the Philippines
Bridging Officials and People of ASEAN: The Role of the ASEAN Peoples Assembly (APA)

This paper will discuss the ASEAN People's Assembly (APA) and its role in forming a bridge between ASEAN officials and civil society organizations in Southeast Asia. The first part will document and analyze the engagement of "Official ASEAN" with its diverse peoples through the prism of APA's journey. The second part will discuss the origins of advocacy for popular participation in ASEAN. The third section will discuss the early encounters between ASEAN officials and civil society organizations in relation to human rights, Burma, and democracy issues. The paper will thereafter discuss the origin and development, and the evaluation that led to the decision to suspend APA. The concluding session will assess the role of APA as a "track-two" mechanism in bridging official "track-one" negotiations and "track-three" talks between non-governmental groups in ASEAN.
Erik Kuhonta- Assistant Professor of Political Science, McGill University

Is ASEAN’s Illiberal Peace a Stable Equilibrium?
ASEAN’s security community stands out because of its illiberal character. Unlike other regional associations, ASEAN can be usefully conceptualized as an “illiberal peace.” While it has avoided war among fellow members, it has also failed to curb authoritarianism within the association. However, in recent years, ASEAN appears to have moved in a more liberal direction.  It has adopted a charter with democratic norms, instituted human rights bodies, and been much more critical of Myanmar, the pariah in its midst. How significant are these changes? I will argue in this paper that while these changes are notable, they do not constitute a fundamental break from ASEAN’s illiberal peace because they do not provide enough institutional mechanisms to advance democratic change. Despite the unease of some members, illiberalism remains deeply ensconced within ASEAN and continues to undergird stability and non-violent forms of interaction and conflict resolution.

Tuong Vu- Assistant Professor of Political Science, University of Oregon

The New Nationalism in Southeast Asia: Its Causes, Functions, and Significance for Economic and Regional Collaboration
Nationalism is a powerful force in contemporary Southeast Asian politics, as observed in the rising or recurrent conflicts over the islands in the South China Sea, the border conflict between Cambodia and Thailand, and tensions filled with nationalistic sentiments between Indonesia and Singapore and Malaysia, and the anti-American sentiments in the Philippines and Indonesia. This paper will argue that the new nationalism in Southeast Asia is a combined result of the end of the Cold War, the democratizing trend in the region, and the rise of China economically and militarily. It will discuss the failure thus far of both economic liberalism (including freer trade) and regionalism (as manifest in ASEAN, APEC, and other regional organizations) in stemming this new nationalism.